Into the Teeth: Oslo Studio Uses Robotics to Push Timber Beyond Limits

Using advanced modelling and robotic milling, Oslotre is fabricating giant timber teeth that will be the star attraction at Dyreparken’s new Karius and Baktus attraction.


Wed 28 Jan 26

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One of Norway’s most innovative architecture firms is behind a new project that is testing the limits of timber design and digital fabrication. Oslotre, the Oslo‑based studio known for its use of robotics and advanced timber engineering, has been commissioned to build a series of six‑metre‑tall wooden teeth as part of a new attraction at Kristiansand Zoo and Amusement Park, one of Norway’s biggest and most well-known tourist attractions. The installation forms the centrepiece of a walk‑through experience that places visitors inside the mouth of “Jens,” the boy from Thorbjørn Egner’s classic tale.

Wood Central understands the studio is using advanced 3D modelling and high‑precision robotic milling to turn locally sourced Norwegian logs into enormous free‑form structures that will anchor the park’s largest investment in its history. The teeth are not part of a ride. Instead, they act as the architectural and visual backbone of the entire experience, guiding visitors through the narrative as if they have been shrunk down and dropped into Egner’s universe.

Oslotre is one of Norway’s champions when it comes to timber design, and in 2023 opened ‘Lumber 4’ which was previously covered by Wood Central.

For Oslotre, the project is a chance to test the outer edge of what timber and robotics can achieve. “This project really pushes the limits of what we can do with wood and digital fabrication,” said Creative Director Jørgen Tycho. “We are working with local timber, advanced modelling and some of the most precise robots in the country. It is a rare opportunity to merge biology, storytelling and technology.”

Dyreparken’s project manager, Roy Bjerke, said the teeth are not simply decorative props but the structural and visual backbone of the entire experience. “The teeth are the scenography itself. They carry the whole attraction. Having partners who understand the material at this level is invaluable.”

Screenshot 28 1 2026 19269 www.fotor.com
Fabrication of the six‑metre‑tall timber teeth is underway in Southern Norway, where robotic milling and traditional craftsmanship are being combined to shape the free‑form structures. (Photo credit: Tom Svilans, shared with permission from Oslotre)

Much of the fabrication is happening in Southern Norway, where Aanesland Treindustri and Sørlaminering are shaping the massive laminated elements using newly installed robotic milling systems. And for Aanesland, the project is an opportunity to showcase the region’s timber‑industry capabilities.

“We are proud to contribute to something so deeply rooted in Norwegian heritage,” said Gunnar Adolf Aanesland. “With the new robotics setup, we can shape almost anything, and the fact that the wood comes from Norwegian forests gives it an extra layer of meaning.”

Wood Central understands installation of the giant teeth is scheduled for later this year during the Norwegian summer, with OsloPre, Oslotre’s sister company, handling the complex assembly. The 1,500‑square‑metre attraction is set to open in spring 2027 in time for the park’s peak season.

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  • J Ross headshot

    Jason Ross, publisher, is a 15-year professional in building and construction, connecting with more than 400 specifiers. A Gottstein Fellowship recipient, he is passionate about growing the market for wood-based information. Jason is Wood Central's in-house emcee and is available for corporate host and MC services.

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